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What I want to say. Sep. 20th, 2008 @ 03:08 pm
It seems I’ve stopped saying what I want to say here. Bad Me! I think everyone who’s tried to have any kind of conversation with me recently has been dragged kicking and screaming into a conversation of my making about girls… not in general, particular ones. I was out drinking last night with Davron and I realised I only really seem to have 3 topics of conversation these days: girls, languages and TV. Luckily for him he has more, so he wasn’t bored out of his mind within the first half an hour.

So we got to talking again about my new favourite subject; the thing that has been on my mind for almost a month now and I eventually got to thinking about this place. I used to write up here about girls I’d meet and the idiot things I’d say, but I didn’t this time. The rational part of me doesn’t believe in jinxes or anything of that sort but I guess there’s a fairly strong irrational side in me too, that exerts its will disguised as apathy. So maybe I didn’t write about such things in case that ruined everything, not that there was really anything to ruin in the first place, but you get the idea.

On saying that though, I’d already told anyone who came within earshot (or typeshot) of me all about it, so how does that make sense? (Answer: It doesn’t.)

That’s all besides the point… but the point is really close to it, so if we just get off at the next intersection and take a left we’ll be there. The thing I got to thinking about, and I know this is all kinds of stupid but like I mentioned that seems to be what this place is for, was what if eventually things go well. I don’t necessarily mean now, but in general. What if I meet a girl and she likes me, and we get together and she decides to read this thing, and she gets to the parts where I rave about girls I’ve just met because I’m too stupid to let reality set in before I type my excitement up here for the world to keep a copy of forever? Then what if she’s not there?

On the other hand what if I type it all up and she sees it and she likes that I was so excited, but then gets to the archives and finds out that oh… he always gets that excited, maybe I’m not so special after all. What if she doesn’t want entire conversations recited to people because I get excited and can’t keep my trap shut? What if I meet someone I like and I write stuff up here and then we become friends and then she sees this and realised I’m hoping for more and that kills it all? What if, what if, what if?

I don’t need guidance on this point. It’s just a thought that I never really considered when making this thing because I pretty much thought I would be the only one interested enough in what I had to say to ever really read it. The answer actually is that I’ll talk about the ones I want to when the urge takes me. If there are reasons I want to keep stuff to myself I will. After all, this is not about what I want people to hear. It’s about what I want to say.

Unrelated – I made a blogger blog so I could comment on blogger blogs. I haven’t done anything with it other than link here, and one night I wrote a post so there was something on it. I read it again this morning, and I think it’s the best thing I’ve ever written. I don’t know if that says more about what quality of writing I’m capable of (good or bad) or the quality of my judgement of the things I read. But anyway, http://riversofrust.blogspot.com/

Feeling: reflective
Hearing: cars and vans and other moving things
Tags: , ,

Go fourth with the samples Jun. 22nd, 2007 @ 05:00 am

A shorter one this time, and probably the last.


Chapter 1

Introductions are in order

Stealing is wrong…

Viktys slunk along the corridor making no sound, dipping in and out of the pools of black left in the gaps between the flickering gas lamps that lined the sleek stone walls.

…deep down, I know that…

Up a small flight of stairs the bare stone floor gave way to plush carpeting, marking Viktys’ progress from the servant’s quarters to the main areas of the house.  They say you can tell a lot about a person by the way they treat their servants, but in Viktys’ experience all servants were treated the same: poorly.

The Carpet was red, with a braided gold pattern running along the side of it.  It was probably worth a fortune, more even than the tapestries on the walls and the gold candelabras on the windowsills.  The servants would never be able to afford such a thing if they were to save for ten lifetimes.

…but it’s hard to think of right and wrong when you’re as good at something as I am.

Around a corner and the dark corridor gave way to a shining pool of light.  There was nowhere to hide here, no shadows to dive into.  Stealth gave way to speed and Viktys thanked whoever lay down the carpet that cushioned the sound of his now jogging strides.

For me, that something is stealing.

“Well duh, Vik, you kind of already gave that away.  Man, even in your own head you sound like a moron.”  His jog descended back to a walk as his mind turned its attention inward.  “‘Great Thief, Terrible Writer: The Viktys Story.’  There’s the makings of a classic right there.  That’ll be on the shelves of all the great libraries.

His arms waved as he talked, his mouth sending out a torrent of self abuse and degradation.  Viktys is the proud owner of the attention span of a gnat. 


Well, that's that done.  Not as interesting as either of us first hoped, huh?

Feeling: Hideously awake
Hearing: You Got Me Good

Sample the third Jun. 21st, 2007 @ 06:07 am

Here's the third sample.  I actually chopped a bit off the end of this one for you.  It said, "Chapter 1.  Jacob was sleeping."  So as you see, no great loss.  I like it when I don't have to think about what to blog of a morning.  Maybe I'll spend today writing a whole bunch more of these so I'll never have to think of a blog topic again.




Prologue

Finger scraped bone.  He felt the small dimples that scoured its surface, where the muscles used to attach themselves.

“What is it?”

“I don’t know.”

“Can you touch it?”

“I can touch it but I can’t get it.”

Jacob strained as hard as he could against the rocks trying to squish a few extra inches out of his shoulder.  In his mind’s eye he saw his finger elongating.  It turned into a little snake, stretching the skin, wriggling forward more and more, please be enough, just enough to.

“No, I can’t.”

“Let me try.”

“No.  You’re smaller than me, you’ll never reach it.”

“Let me try anyway.”

“It’s getting late.  We should probably go home,” said Jacob, looking up at Eric, who was pacing around in front of the hole, trying to get a decent look inside past Jacob’s shoulder.

“Then give me one try first, just one.”  Said Eric, almost pleading now, frightened his chance would slip by if he didn’t seize this very opportunity.

Jacob picked himself up from the ground and took one last wistful look into the hole.  It was only just large enough to allow his arm access and the boulders around it were far too heavy for the meagre muscles of Eric and himself to move.

He moved his head from side to side a little, staring into the gap until he caught a flicker of something white.  Whatever it was, it was drawing at his curious mind like there was an invisible rope attached between the two.  It didn’t look like an egg.  He was certain of that.  Birds wouldn’t lay eggs in a place like that.  Snakes might, but if he thought for a second there could be a snake in there his hand would never have left the pockets of his dungarees.

He moved aside, letting Eric in to have a try.  Eric was a head smaller than Jacob at least.  He never stood a chance, but gave it his best shot anyway.  He wiggled and squirmed like he thought he was on the edge of it, but Jacob knew there was too far for his little arms to go.  That didn’t stop Eric pulling some great faces of effort, and uttering lines about how nearly he had it but then he lost his footing and slipped back so it was once again just out of reach.

There was a moment of doubt though.  A single moment when Eric’s eyes lit up, widening like a great darkness had just descended upon him.

“Yes, yes!”  Eric cried, pulling his hand out of the whole and clutching his prize so tightly you couldn’t see a sliver of it past his whitening fingers.  He slowly released his grip from around it.  Before they were even half open it wiggled out between his fingers, streaming hundreds of legs over his hand.  The millipede found itself airborne a second later as Eric’s reflexes finally kicked in sending a spasm of fright up his arm.

Jacob nearly doubled over, but tried desperately to contain himself as Eric sprawled backwards on his hands and feet, like an upside-down crab fleeing an upside-down shark.

“Gods!  Did you see that thing?  It was… nearly had my hand off.”  Eric said, his face flush, breathing erratic.  “Did you see it?”  Jacob had turned his back to hide his laughter.  “It was all yellow and black.  That means poison you know.”

Jacob turned to watch Eric clamber to his feet, in control now.

“It almost had you,” said Jacob, a spit of laughter escaping with the last word and turning into a full out laugh.

“It’s not funny,” laughed Eric, unable to help it in the face of Jacob’s struggle to breathe.  “It’s not funny.  It almost had me.  You wouldn’t be laughing if you had to tell my parents I was dead.”

“Killed by the BEAST OF BILTON!”  Jacob could hardly contain himself.  “I’d be honoured to tell the whole town about such a heroic death.”

“Shut up.  It’s not funny,” said Eric, almost all the way back to town.

Behind them, in the hole, creatures were stirring.  Black bodied, hundred legged, parchment and membrane winged creatures of all different kinds, scurried around looking for the light, and escape.  Something else was stirring in the hole, something tickled by a child’s careless finger.  The memories imbedded in bone, awoke.




I think if there're a moral to that beginning of a story it's, Kids = Trouble!

Feeling: Morning Fresh (AKA groggy)
Hearing: my squeaky chair squeak away

Shame - Part 2 Jun. 20th, 2007 @ 05:18 am

Listen people, let's not say nice things while I'm shaming myself, OK?

This one is older than the last one, and significantly shorter.  The dialogue is awful, and the transitions, even worse.  I suck at transitions.  They're the thing I find hardest.




Downpour

She smelled of roses and rain: intoxicating and pure.  Her hair clung, dripping, to the side of her face and when she brushed it away, her fingers glistened.  Rosanna De Las Lluvias, against all advice, stood on the highest, easternmost balcony of the palace and watched the horizon for the first signs of her approaching future.  She wouldn’t be moved for the world.

“Princess, please.  Do you really want to meet him for the first time with a runny nose?”  Her handmaiden, Lucille, was always looking out for her best interests, or more precisely what the King had instructed her that his daughter’s best interests were.

“He won’t care.”  Her voice was as soft as the wind, as perfect as a single snowflake landing on a child’s waiting tongue.

“Well, no, you’re right, of course he won’t, but if we have to get you out of those wet clothes after he arrives you’ll only keep him waiting.”  Lucille had been trying for the last three hours to get Rosanna back inside, without raising her ire.  It was something she thought she’d become good at over the last several years, but today seemed to be proving her all wrong.  She’d given up on tact over half an hour ago and had now resorted to random questions, hoping one of them would have a different answer.

“He won’t care.”

She sounded so sure.  So perfectly sure that this was meant to be.  Lucille had never seen a more willing participant in an arranged marriage, especially from someone who had never seen their intended.

“You can see just as well from inside you know.  I mean, you might not be able to see all around but you can see the road they’ll be riding in on well enough.”

“Thank you Lucille.  I’m fine here.”

Lucille shook her head and went back inside to once again fiddle with all the things she’d arranged for when Rosanna decided to come back inside.  Towels: that was it.  She’d thought of bringing the dress up here for a quick change when they saw Prince Dairis’ party arriving, but there simply wasn’t anywhere clean enough to put it.  Dust had blown in from outside before the rain started and no one had been up here to sweep the place since.  Dust... another idea popped into her head, which she stuck once again just under the eaves, far enough to be heard, but not so far as to become a target for even the smallest of raindrops.  She wasn’t young and foolish like her Princess.  Well, she corrected herself mentally, I’m not foolish anyway.

“You know, with all this rain the road up will be a veritable swamp.  It could be hours before you even catch a glimpse of them.  And it’s not as though you’ll see the dust from the hooves when they’re close either.  They’ll be right on top of us before you can get dried up.”

Rosanna turned to her and smiled.

“Thank you Lucille, but I’m okay for now.  If I tire, or it gets dark, or I start to sniffle, or I get too cold, or hungry, or if I just feel like it, I’ll come inside.  I promise.”

“Of course, Your Highness.” 




I'm glad we've got that out of the way.

Feeling: somewhat nimble fingered
Hearing: The Colbert Report

Ugh. Jun. 19th, 2007 @ 02:02 pm

I think I've decided to put some of my old beginnings up here to shame me into learning how to write properly.  I could do with reading a lot more too.  The more you write, the better you get, or so people say, but I'm too busy thinking about all the cool things I could be writing to actually write them.  John August has an interesting interview here.  I agree with him that I'm not so good at the writing, but I love having written.  He's better at pushing past the discomfort than me though, by a mile.  I really like this snippit:

"(By the way, this -- answering questions for an email interview -- isn't writing. This is talking with a keyboard, which is damn near effortless. I think one of the dangerous things that's come with the rise of the Internet is that people are confusing typing with writing. Just because your words are captured in a UTF-8 character set doesn't mean that you're actually writing. Writing involves carefully shaping a thought for its desired impact. Writing means anticipating the reader's reaction, and honoring (or defeating) that expectation. Writing requires logic. Blogging just requires an account.)"

It's all good stuff.

Recently I've been looking over some of the stuff I started writing but never got anywhere near doing anything with before I chucked it and moved on.  It's been an interesting experience.  I feel like I've fed all my latest and dearest works into an all knowing computer, listened to it beep and whizz for a while and then had it print on screen "Congratulations you've now attained the level of: fucking amateur" with those last two words, underlined, in bold, 4 points larger than the rest of the message, all in caps, and flashing alternating eye-catching colours.  Then it prints a shiny badge with my name and new designation on it... which also flashes.

Here then is something I started sometime shortly after the fall of Rome.



All you have to do is…


Jonas fell to the ground, the dust of the road making a new home in his nose and mouth.  His lips parted enough to allow his tongue to poke out.  Then came a raspy breath, a futile, subconscious attempt to expel the new coating on his tongue.  Dirt plus saliva equals mud.  This was the mathematics of his life, and it didn’t taste good.

His eyes fought to focus on something, anything, and finally settled on his bloodied hand.  Then a boot came crunching down on it.  The pain must have been there but it didn’t reveal itself as the searing sensation he expected.  Instead, it rippled through him as a simple shiver, a stall in his heart-beat and breathing, and utter disbelief at how easily the hand crumpled.  He tried to move it, but couldn’t muster the energy.  Then the pain started revealing itself.  It was a throb, slowly pulsating, and every second it grew in intensity.  If he kept the hand perfectly still, this would be the extent of it.

There were footsteps behind him, shuffling through the dust, probably getting ready for another kick or stomp.  Then it came, into his back, his right kidney.  The throb in his hand became a scream, and then slowly calmed to a conversation; an argument in waiting.  That last kick, there was something about it, something half-hearted.

The sound of the footsteps changed, the shuffling became crunching as dirt turned to gravel.  They were walking: walking away by the sound of it.  Jonas didn’t move; he hardly dared to breathe.  Anything, the simplest sign of life, of defiance and they’d be back to finish the job.  Getting back to your feet was always asking to be put back on your knees; or worse, your face.

He stopped thinking about defiance as soon as it had entered his head.  He didn’t have enough energy left in him for that.  He probably didn’t have enough energy in him to do anything ever again.  The thought would have been frightening, if he’d had enough energy left to really consider it.  As it was his only concern was that when they found his corpse the left side of his face would be a bubbling mess from the unrelenting sun and its pitiless clear blue sky.  Wasn’t there supposed to be rain when someone died?

He listened to car doors open and close and the beginning of the struggle to get the engine to start.  A chug combined with a swish, repeating, dreamlike, hazy.  Swish, swish, went through his ears and made its way to his eyes.  They seemed to close without his control, like he was falling asleep but was too tired to stop it.  The red through his eyelids was haunting.  This is where you’re headed Jonas, a red place; very, very red.

There was a fly or something on his cheek, it felt funny.  He screwed up his face as best he could to try to get rid of it.  The red faded to black and the fly jumped and landed where it had been.  No, it splattered where it had been.  Then another fly splashed near his temple.  Confused, he opened his eyes, strangely now willing.  It didn’t seem to work, though it felt like it had.  Or maybe, yes, it was a lighter dark.  There was another splash.  He turned his head to look at the dark clouds covering the night sky and opened his mouth to the rain.

Minutes passed before he could find it in himself to sit up.  He put weight on the stomped hand and immediately realised what a mistake it was.  The pain that was dulled before, when there was too much for his mind to take in, was real and visceral now.  He wasn’t going to get revenge with that hand any time soon.  Luckily the hand that held his trigger finger was still in one piece.

He tried to shake his head, but thought better of it when the nausea came.  Who was he kidding; they’d kill him the moment he set foot within an inch of the city limits.  He looked at the hand, smashed and bloodied, through the eye that wasn’t swollen shut and realised how lucky he’d been.  He’d seen a lot worse.  Sure, it’d been on corpses, but then that’s what they’d intended for him wasn’t it?  Leave him out here for that agonising, slow death that he knew was coming and couldn’t do anything about.  No, it wasn’t even that, they just didn’t care.  They didn’t care if he lived or died, they were indifferent.  They were just doing their jobs.  Some live, some die, it’s just another day to them.  It was nothing personal.  The thought lingered in his head for a while as he accepted the rain.

When everything was still inside, his breathing calmed after the last burst of pain and his dry throat thoroughly watered, he forced himself to stand.  It was a single, fast movement that ended in a stagger.  Anything slower and he knew the pain would overtake him and he would slam back into the ground, possibly for good.

He stood frozen in place until the screams and races inside him quietened again, the whole time his mind trying to work out its next step.  East; back to the city; his wife; his troubles.  West; disappear; become someone else; free.

He shuffled around to face east for the last time.  They’d done a good job.  He couldn’t even see the city.  He didn’t get one last glance at the place of his birth, the place he’d spent every day he could ever remember.  Every other city, every other opportunity, was only a few fleeting glimpses on TV to him.

He closed his eyes to shield them from the high-beams of a passing car.  In the darkness he saw his TV past the worn-old socks he rested on the coffee table.  Tiffany came through carrying a steaming cup of coffee.  It smelled good, so good, and the addicted part of him nearly leaped out through his chest.  Had he really not had a single cup, all day?

She kicked his legs with the same force she used to move the dog when it was lying in the doorway.  The dog never moved and she always had to step over it, but he did.  She put the cup where his feet had been and sat beside him, the soft, worn cushions tilting her into him.  He didn’t know the words he needed to describe that sensation.  He’d miss that.  She was soft, she was warm… she was comfortable?  She was just right, she was just right.  There was no other way to say it.  They just fit together like yin and yang, like strawberries and cream, hot showers and soft towels.  Like bullets and guns.

"I’m sorry Tiff."  He spoke the words into the air, opened his eyes and turned to head west.  The road was straight, and long.  He didn’t know how long.  He’d never been out this way before.  For all he knew it was a hundred miles to the next town.  He’d probably die on the road, but that was better than certain death in the city.


I think I need to learn the art of re-writing.  Not just cosmetic, touch it up, add a few long words, fix the spelling, re-writing, but real, full-on, let me write this scene, chapter, or even half, in a completely new way, re-writing.

Feeling: fat and weak
Hearing: self doubt and criticism from every angle
Other entries
» I'm slow

Apparently Roland Emmerich, he of Stargate, Independence Day and The Day After Tomorrow fame, is directing a movie to be released in 2008 called "10,000 B.C." It is, according to IMDB, "A prehistoric epic that follows a young mammoth hunter's journey through uncharted territory to secure the future of his tribe."  Damn, there goes another book I was going to write.  I should really speed-up.

Actually it sounds not very like something I would work on.  I'd get bogged down on realism so the people in the tribe would get hungry for a bit, then move a bit north and find more food.  Thrilling, no?


» Back to before

During my last years of high school I took Higher English.  I got more and more into it as the course went on, even though they didn’t teach me how to write TV shows, and by the time it ended I had gone from someone not really liking English but picking it because I disliked everything in its column more, to someone who applied to university to do both English Language and Literature.

Along the way there was the small obstacle of homework.  That’s something I just didn’t do in high school, but the way Higher English is structured meant that I needed a certain amount of marks for class work to pass.   Unfortunately for me our teacher believed in teaching during class and leaving the “class work” for home.  It is well known that I can only get things done when I’m in the right frame of mind (last minute panic) and so the day before the class work had to be handed in I found myself two pieces of fiction short.  What was worse was that because of the readability requirements of the course these pieces had to be printed instead of hand-written.  That was actually a good thing for me in one sense, because I can never write more than about a page without getting cramp at the base of my thumb.  However, it was bad in another, larger sense.  I didn’t have a computer, or access to one.

That day I was talking about this problem with one of my friends, Fraser, and as luck would have it, and his generosity, he had a computer and printer that I could use.  So, after school, and his dinner time, I went to his house, sat down at his computer and started to type.  I didn’t stop typing until about eleven o’clock at night when both of my stories were complete.  I don’t think there’s a chance in hell I could write that many words in that short a time today, but back then it just happened.  In about five hours I’d written the two stories I was staking my final English grade on, spell-checked them, and printed them.  The next day I handed them in, having not looked at them again, except in a cursory glance to make sure nothing had gone wrong with the printing.  I still have them in a folder somewhere in my bedroom.  If it weren’t for the correction marks that make it tough to OCR them, and the fact that they’re pretty awful, I’d let you see them.

Despite the last minute dash it wasn’t my English grade that kept me out of University that first time.  I needed to have so many grades of a certain level as well as English to get into the courses I wanted.  It was maths I fell down on.  What followed was two years of unemployment.  I was overqualified for a lot of the jobs I went for which is something I, to this day, do not understand.  Eventually the job centre stuck me on a course to teach people that were unemployed for a long time the skills necessary to get a job.  During this course I learned about “access courses,” which are special courses you take at college.  If you pass them you’re guaranteed entry (access) to a university to do the subject you studied.  Unfortunately I was stumped again because there was a minimum age requirement which I failed to meet.  It’s amazing all the things you can fail at when you’re not even trying.

On the advice of the guy running the get a job course I phoned them up and asked if they would take me anyway, they said “No, but why don’t you just try applying to university again normally?”  So I did.  I got all the confusing UCAS stuff (you have to apply to your chosen Universities through the University and College admissions service who decide to have an extremely confusing process set up… you know, to keep out the riff-raff) and started filling in forms.

That was when I had to make a decision that would affect the rest of my life.  “Which course do I go for?”  The requirements to get into the English courses hadn’t changed.  I decided that if I went for those they wouldn’t let me in… besides, I’d learned two years before that if I was ever going to write, it had to be on a computer.  This was in the days before I knew about university open access computing labs, and well before we could afford such a device for the house.  In school the PCs were locked in a room and you weren’t allowed in unless you were going in there with your class to do class work.  I didn’t see why university would be different so I picked a course that it looked like I had the qualifications to get in to and that would guarantee me access to a computer so I could write: Artificial Intelligence & Computer Science.  I sent it away and hoped.


» Time Warp
In 1995 I took the first steps onto the bridge I’d built to my desired future, only to have the stone shatter and crumble beneath my feet. I awoke, in darkness, at the bottom of a chasm with no option but to begin the long climb out. I felt the rock on all sides and started grasping for handholds, sending out applications wherever I could. The direction didn’t matter, so long as it was vaguely upwards. I even took this as an opportunity to reclaim an old dream of mine.

As most of you will know I enjoy far too much television to be healthy, and I’ve always wanted to be involved in making it. Back then I’d even considered being on the “wrong” side of the camera, and so I applied to a college for drama. Luckily the admissions for this type of course were still open, even though most had closed already. I saw it as a bit of a sign and took the chance. They never got back to me at all. Even when I chased them up about my application and they said they’d look into it and be in touch, they weren’t. I could see them losing my application, but then losing the notes taken about my phone calls? I took that as a stronger sign than the first one, turned my back on it all and wallowed in my misery for a while.

On the 13th of January 1996 my dog, who hadn’t been well for a while, was diagnosed with cancer in a severely advanced stage. He was put down.

They say things don’t start to get better until you hit rock bottom. What they don’t tell you is that rock bottom can be the bottom of a trench that stretches for hundreds of miles in all directions. After a while I forgot I was in a trench and just went on thinking this was what life was and would always be. It wasn’t until the last months of 1996 I looked up and saw what I thought could be a pinprick of light a tremendously long way up. (Exaggeration is absolutely freaking fantastic!)

In SFX, a sci-fi magazine, I saw some reviews for comics. One of them was a comic called “The Darkness.” It was apparently brand new, a first issue, and the synopsis sounded nothing like I imagined an American comic would be. I had grown up reading funny British comics like “The Beano” and “The Dandy” before moving on to anthology comics like “Eagle” and “2000 AD.” The only real exposure to American style comics characters I’d had were from films and TV shows, including Saturday morning cartoons. I liked the darkness of 2000 AD and decided that if comics could be like that, but with a whole story in an issue instead of just a portion of one, it’d be worthwhile looking at some. So, having nothing better to do, and of course there being no time like the present, I looked up comic book shops in the yellow pages, then headed up town to see if I could find this “Darkness” while I could get in on the ground floor.

The first shop I went to didn’t exist where it was supposed to, so I headed up to the second. The comics were arranged in alphabetical order, all along the left hand wall, in little racks like you get in a CD store. They even had those plastic dividers with the letter of the alphabet you were looking for taped to the top. The more popular comics, or concepts, had their own special sections like, Batman, The X-Men and Spider-Man. Above these, facing outwards were the new releases. They were amazing to me. To see all these covers with their larger than life characters caught in life or death moments was eye opening. I could only imagine how much action was inside each of them. I knew I was in the right place. It wasn’t until a lot later that I came to fully appreciate the lie of the covers, but for then, I was spurred on in my search.

I couldn’t find The Darkness in the new release section so I headed for the “D” section of the older releases. Nothing. Perhaps… I moved over to the “T” section in case someone had filed it under “The.” Nothing. Maybe it was misplaced… nothing. I asked the guy behind the desk.

“It’s Sold Out.”

Damn, I should have got to the magazine earlier. Of course it wouldn’t have mattered. I didn’t know it then but for it to have been reviewed in a magazine it had already been released quite some time ago. Comics usually have dates on them under the issue number but this is generally set at a month or two after it actually appears on the shelves. For instance I have “Checkmate #11” on my floor just now and it says “Apr ‘07” on it. Looking for the comic during the month its cover claimed was its release month was never going to lead to anything, unless it had hit a slump and previous issues hadn’t sold out. That doesn’t happen for first issues. Prospectors snap those up in record time in the hopes they’ll one day be worth thousands.

Since I wasn’t going to get in on the ground floor, I decided to just forget about The Darkness and find something else. There were a ton of interesting looking comics on the shelves. All I had to do was find another first issue and follow that instead. I looked for a while, eventually giving in and opening random comics to see if anything looked worthwhile to get instead. I reasoned that as long as they weren’t too advanced I could hop right in. I couldn’t find anything that didn’t seem abnormally colourful and happy, so I turned to leave. When I did, I noticed something I somehow hadn’t noticed before, sitting at the front of the pockets of older comics. The cover was a blue, just this side of black. There was a statue of an angel, moonlight striking her head and outstretched arms. In front of her stood a man, well built, imposing, the moon striking the tops of his muscles casting black shadows underneath. His head was bowed slightly, casting his face in shadow, except for an almost luminous red cross stretching across his face to the corners of each of his eyes, and down from his hairline to his collarbone. Then there were the whites of his eyes, staring straight out at me. Below him was a girl in something of a nightdress, or maybe an evening dress, sitting, leaning to one side on her arm, the other running through her hair as she looked up at him. She wasn’t afraid. At the top, in large, red, stylized lettering was the title, “Hellshock.”

I opened it and was simply stunned at what I saw. The colours weren’t clear and crisp and shiny like in any other book. They were watercolours, but not like you see in an amateur painting of barges on the canal or a sunlit mountain valley, these were dark, and surrounded by shadows and deep blacks. I didn’t know you could make a watercolour look like that until then. There was narration; white text in a black box. I turned to the start and gave it a go.

“My nightmare always starts out the same. A maze of flickering passageways and rickety steps. Sometimes I’m alone. Sometimes not. A chilling orchestra of laughter and screams materialises out of the blackness beyond. But in my nightmare, I never see what lies in wait around the corner. Just as the ground opens up, or the walls close in, or the monstrous attacker grabs me, I wake up. Breathless… exhausted… relieved to be in one piece and out of danger. But the fear remains unresolved because it is never faced. Until today. Today is my first day in the madhouse.”

That was when I realised comic books were a medium and not a genre. They could be anything I wanted them to be. I closed the book, took it to the counter, then took it home.

I didn’t read it right away. Instead, I waited until night when my room was as dark as it could be; then I turned on my bedside lamp and angled the glare away from the pages. The edges of the book melded into the darkness around them. I started again at the beginning and with Christina, took my first steps into the asylum.

A few days later, after reading it again, I showed it to my mum. As far as I know, to this day, it’s the only comic she’s ever read all the way through.

Reading Hellshock was a watershed moment in my writing life. Until that point I’d been playing with the possibility of writing. It’s something I enjoyed doing, but I never thought about making any attempt at, other than from the point of view of my own amusement. Before then, I’d been mostly reading the books my dad had left lying around like John Grisham and Tom Clancy books, and fantasy or comedy books, like The Hitchhiker’s guide and my Terry Pratchett collection. All of these books fit into their own genres very well, but Hellshock showed me that just because something has a certain look, it doesn’t mean that’s what type of thing it is. Genre could be transcended. It could be moulded to the writer’s whim. If I didn’t want to keep things in the neat little sections laid out in the bookstore, I didn’t have to. I could make a comic slow, and dark, and character driven, and have a final reveal that’s both a small moment on page, but a massive moment in the life of the protagonist.

The reason I’d never been good at English, or liked it, until late in my high school career, when I discovered Pratchett, was that there were too many damn rules. Pratchett showed me that different types of books had different rules, some more fun than others. If I wanted to, I could pick a fun genre and let go. That came at the right time to make me like English and get massively better marks from that point onwards. It was in time for me to decide on that as a University course… but it came too late to make enough of a difference to my marks to get me into that course. Hellshock showed me that I was still thinking in too restrictive a manner. There were no rules. Genres aren’t there when you’re creating; you just create. Genres exist in bookstores, so people know where to find the kind of stuff they’ll like. You don’t have to write your book for the shelf you want it sold on. You just write your book, and let the bookshop people deal with the rest.

I went back to the shop the next week, wondering if the next issue was out. The comics I’d read in my youth came out weekly, so I didn’t know better. I asked the guy behind the counter if he’d keep the books for me as they came out, but he told me I had to be buying a minimum of five books a month before they’d do that. I scoured the shelves, but I couldn’t find anything else I wanted. I was still stuck on the idea of starting at the very start, the issue with #1 in the little box on the front. At the time I didn’t know about story arcs or jumping on points or really anything about comics at all. I decided to just go up to the shop every week as I’d be in town to check out the bookstores anyway. I never found another issue, and as it turned out the series was never finished… that is until now.

Within the last couple of weeks Jae Lee, creator of Hellshock, with the help of Image Comics and Dynamic Forces released “Hellshock: The Definitive Edition.” It has been re-coloured using computers, so gone are Jose Villarrubia’s masterful watercolours, but it retains the same atmosphere. It has been re-mastered, which I take to mean the changes in the dialogue that take it from past tense to present, the rewrites of dialogue and narration that change the content of some scenes whilst keeping their overall tone and message, and the occasional flipped panel. All of the issues are collected in one cover including the never before released, because it was never finished, final issue.

Finally I get to move on and read that second issue and all that follows after. I’ve read the new version up to the end of issue one but I thought I’d write this before I move ahead. I’d hate to have my experience of the later issues in any way affect my remembrance of the first time I read the first.

The other day I was back in 1995. Reading Hellshock again I am back in 1996, filled with the desire to create sentences, scenes and images that take people away from where they are and plunge them into places they never thought they’d go. I’m reliving the past a day at a time… however, I now get to go back and relive the bits I wanted to live the first time but couldn’t. I think it’s dark enough now. Time to turn off this computer, and turn on that lamp.


» Another stand-up routine
Because I suspect Rob and I might be the only ones in the world actually trying it.

Go!

---

Do you ever notice how cold it is when you get up in the morning… in the Arctic?  Wow, I see from the knowing nods that we have a couple of Arctic explorers in the audience; fantastic.  I hear you folks are a dying breed.  There seems to be less and less of you every year.  That’s a puzzler isn’t it, I mean it’s not like the Arctic’s going anywhere, right?  Okay, so it’s disappearing, but who knows why?  I mean it could be anything.  From what I hear it’s particularly baffling to the scientists that work for the American government.
      “What do you think it is Rodney?”
      “I don’t know… maybe… God’s mad at us?”
      “Enough of that chit-chat boys.  This nature reserve isn’t going to burn itself down and just piss that oil up to the surface.”
      Is that not a scientist’s job?  Shit, I better change my résumé when I get home.
      They say that by about 2050 there will be no northern polar ice cap, even in the dead of winter.  The arctic will become one giant sea-lane; a huge shortcut from one side of the globe to the other.  That sounds pretty cool, but most of us will be living under water by then anyway so seeing it won’t be a priority.  Besides, it’s probably a little big to actually see.  It’s going to pretty much just look like another ocean until you suddenly realise you’re in Japan and you didn’t have to go through America to get there… which will be handy because you’ll need complete video records of your entire life proving you’ve never come into contact with a terrorist to get anywhere near America in 2050.
      Wow, I can see the future… but I can’t share any more of it with you because it’s DRM encrypted.
      I just saw another glimpse of the future and it’s terrible.  I just realised what happens the first year that the pole is free of ice.  It’s 2015 and it’s been an unexpectedly hot summer.  We get to winter without realising the tragedy but then a little voice speaks out and asks…
      “Daddy, because I’ve been really good this year will Santa bring me lots of presents?”
      “Son… I have something to tell you.  You might want to sit down.  Remember how daddy told you that Santa lives at the North Pole?”
      “Yes,”
      “And do you remember how daddy said the North Pole melted?”
      “Yes.”
      “Did daddy ever mention that Santa had a submarine?”
      “No.”
      “Think it through son.”
      “You mean!?!”
      “Santa’s DEAD!  We killed him!  The adults of the world killed Santa Clause and we didn’t even mean to.  He DROWNED!  The poor man.  Can you imagine?  There he was, sitting in his workshop, minding his own business and then he notices some water on the floor.  ‘Who’s left the tap running?’ he asks, but there’s nobody there to answer because all his elves are DEAD TOO!  They all drowned, slowly and horribly, breathing in icy cold water, their lungs on fire trying to scream, ‘Help me Santa, help me!’ but he couldn’t hear them because he was testing his new walkman.
      “An entire race of extra-super-small people, DEAD!  And I did it!  I didn’t want you to find out son but I left the TV on standby one night.  It only uses a single watt of electricity per hour, but that was enough to tip the balance!  That’s the difference between Christmas presents for all the boys and girls and GENOCIDE!
      “Those poor elves, now they’re all frozen into tiny blocks, still with their pointy hats on their heads, whizzing around the arctic ocean like little torpedoes, sinking any ships that come near.  It’s horrible.  All those sailors, DEAD!”
      “But daddy, what about the reindeer?  Rudolph’s dead?”
      “Well no, of course not.  Don’t be stupid son.  The reindeer can fly.  They all live on the moon now.  They’ve got plenty to eat because the moon is made of cheese.  Sure they’re a bit smelly and they have nightmares every night, but they’re alive and that’s what counts.  They say when they finally build that moon base some of the astronauts will go out and release the reindeer from their harnesses so they’ll be free to walk around without looking at another reindeer’s ass all day.  Imagine all that pent up sexual frustration being set free once they’re finally released from the sleigh.  Scientists think there’ll be herds of reindeer thousands strong within the year and you’ll be able to watch them sweep over the face of the moon with the naked eye.  Won’t that be magical?”
      “And will Mrs Clause be with them?”
      “No son.”
      “What happened to Mrs Clause?”
      “SHUT UP Timmy!  Back in the kennel!”
      Because there are some things a five year old just shouldn’t hear.
      Thanks everyone, have a good night.

----

EDIT -- Damn it, I just realised I missed a trick with the placement of that DRM bit, and I also missed a great "it's not the easiest way to get out of paying for presents but..." ending.


» Improv Stand Up Routine

So a little while ago I said this, “Anyway, as something fun to do, if you're bored in bed tonight, imagine you're at some open mic comedy place.  Someone extremely hot who you've had your eye on for a while says they'll be your plaything if you can prove you have a sense of humour.  They push you up on to the stage.  Go!”  I was expecting nobody to listen to that at all, or if someone did that they would just think it to themselves and get a few chuckles out of it.  We can all make jokes that we find amusing ourselves, I would hope.  Even thinking that something should have been funny, but wasn’t, is generally enough for me to make myself laugh.  Yay me and my easy laugh-ability.

Anyway, as it turns out, in the comments of that last post Rob wrote out what he would have done for all to see.  He says he’ll post it on his Xanga later.  Then he went ahead and told me to do what I would have done.  Now there was me thinking, I already said I forgot what I would have done, but that’s a load of poo, because if someone shoved me up on stage now I wouldn’t have that stuff in my arsenal anymore.  I’d have to try again from scratch… which means I can take up Rob’s challenge (which was really my own stupid challenge.)  So, here goes.

      “Okay, sure this is going to be easy.  ‘Just get up there and make them laugh,’ she says.  Just like that.  I think that means she wants me to dance.  Wow, some of you are laughing already.  That’s not a great confidence booster.  I really wasn’t expecting you all to agree with me.  Look, I know what you’re thinking, and yes, I am white.  But come on, white people invented some dances, like, like, the waltz, that was one of ours… and the… chicken dance, I think.  Yes, some of you are thinking, maybe the people who laughed have seen him dance before, but, if you look closely at those people you’ll notice that their eyes are still in their head, and there aren’t any claw marks around the sockets.  All tell-tale signs of people who have, in fact, never seen me dance… or even pretend dance.
     You want me to demonstrate don't you?  Because without a sample of the horror, nothing I say is funny. Oh yes, white people are bad at dancing, how original, ha ha ha, except he doesn’t look all that uncoordinated, does he?  Well, no.  Ask me to run really fast and I’ll dazzle you.  Ask me to jump a wall and I’ll be over it before I know if it’s actually safe on the other side.  Ahhhh! [shake of the head] Too many times.  But ask me to dance and you know in Bambi, where he’s just been born and he’s trying to stand up?  Hit him with a taser and that’s me dancing!  I know some of you are now thinking to yourself hold on a second, I knew I recognised him from somewhere.  You don’t.  You’re thinking you’ve seen me on Cops, but that’s just because all of the sporting activities I’ve just mentioned are featured regularly on that show.  Besides, that couldn’t be me… I’m white.  What?  All I’m saying is I don’t have to run, I could kick a cop in the nuts and get away with a warning.  I’m not saying it’s right, or fair… just that it’s handy.
      I don’t actually believe that all Cops are racist but non-racist cops aren’t all that funny.  Just like me!  Thought I’d get that in there before you all.  The cops on TV aren’t racist these days, but then they do nothing anyway.  It’s always the CSIs or the lawyers who solve crimes on TV, and always after some ridiculous plot twist.  I tell you, all that science stuff is starting to freak me out.  I wipe everything I touch these days so I leave no prints.  You never know when someone is going to be found brutally murdered and yours will be the only other prints there.
      ‘So Mr Vaughan, can you explain why yours were the only prints found at the scene?’
      ‘It was my house.’
      ‘That’s convenient, isn’t it?’
      ‘Well, yeah, it’s quite convenient for when I want to sleep or watch TV or stuff.’
      ‘Oh, a comedian!’
      ‘Amateur, and only on open mic nights.’
      ‘Why did you kill your burglar?’
      ‘He broke into my house.’
      ‘And yet he never left a single print?’
      ‘He had gloves on.’
      ‘That’s convenient.’
      ‘Not really, you have to take them off to do anything fiddly.’
      ‘I think that perhaps the burglar was killed somewhere else and you just moved him to your house afterwards so no one would know where the real crime scene was and to render our forensics completely useless.’
      ‘Okay, no I didn’t do it, and you’ll never find the crime scene!’
      ‘Ha, that’s okay because I’ve tricked you and now I know the real culprit was my partner Bob…’s twelve month old daughter Sandy!’
      And then they fight for a bit, but it’s too late for Sandy and she’s taken to the station, but she’s white, so she gets off with a warning.
      Thank you, and goodnight.”


----

Rob has now updated his Xanga, so if you don't want to look at the last entry's comments, you can see his attempt by clicking this line. Have a go yourselves.


» I've forgotten every word.
The other day there I was lying in bed thinking about a poster I saw in Whistle Binkies.  It was for an open mic night.  I wondered to myself what it would look like to go there and see a pub completely full of people holding guitars, none of them listening to anyone else play because they were all too nervous, going over their own stuff before their number was called.  I had obviously decided that since Binkies has live music every night until 3am it was a musical open mic.

Then, as I lay there, I wondered what would happen if I was wrong and it was actually a comedy open mic, but someone didn't realise and got up there with their guitar.  They could be the best singer ever but a few minutes in, after being booed off-stage, their confidence killed forever and buried under Binkies patio, they would run crying... but only as far as the bar where they could drown their sorrows in the massive varieties of booze sold there.  Good business model huh?  After a couple of minutes of thinking how a musical open mic would be just like a big karaoke, but without backing music, I got back to the comedy idea and wondered what I would say if I was forced up onto the stage to impress a girl with my non-existent powers of improvisational comedy.

The opening was easy.  It was something I've been thinking of for a long time, but would never actually do.  However, this time the opening led straight into other things which were born out of the news I'd been reading in the week before.  Bit followed bit happily (it helps when your only audience is in your head and laugh at all the bits you think are funny yourself) and before I know it I came up with a very nice ending that led me off past the now foiled girl that thought I would die on stage.  I went over it all again in my head which was quite easy because it was probably only five minutes worth of stuff.  After a few touch ups and polishes I had the routine down.  Knowing I would never try it on stage I decided that an extra book to go along with all my other never to be finished projects wouldn't hurt, so I created a new word doc on my desktop.  It would just be a comedy book I thought, built up of random thoughts and ideas.  Kind of like a sketch show on paper.  This little routine would be the first of many.  I used to do a new little thing at the start and end of every email, so I figured if I could recapture that form I could fill it quite quickly.  I was happy with the idea.  In fact I was so happy with the idea I cleared my desktop of all the projects I'm not likely to get to right away, putting them all in a folder called "not doing yet" to show that I didn't have to worry about them, but I still planned on doing them later.

Remarkably cleared, my desktop then only had the projects on it I could do all at once, or that I wanted to get to right away. It made it a lot easier to click into one of them when I was in the mood, even if I ended up just getting a feel for the piece again and not actually typing anything.  So the files on my desk were,

Conscience
I don't believe you (the new comedy thing)
Unspeakable Thing
Phone Call

Not many things there.  All a different style; all a different feel. Novel, comedy, short stories, script.  Simple.

Then came a cold snap and I started hibernating, because that's what I do in winter.  I would get up at about 3am, stay awake until about 10am, go to sleep until about 4pm, stay awake until about 8pm then go to sleep again, and the cycle would continue.  Every time I would get up I'd have things that needed done before anything else, and so I'd do them.  Every time I tried to sit at my computer I got a little too cold and ended up just putting on some shows and lying wrapped in my blankets until I fell asleep again.

Today is different.  Today I'm trying to stay awake because I expect the man to come deliver my books.  So I've been sitting here at my computer doing things like updating the pages of Casstoons I made so they're easier to read than on the DC Message Boards, looking at extremely funny stuff like, this brilliant new monkey fluids comic, (if you've never seen it before, go through the archives and read them all,) catching up on world affairs via news websites and so forth.  Then I take a peak at my desktop for something and notice my files.  Oh, thinks I, I can start doing that comedy thing now.  So I opened it up.  I put in the first line which I've known forever, and then... it was gone.  I've forgotten every word.  I need to go find them all again, or start again from scratch.  No fun.

Anyway, as something fun to do, if you're bored in bed tonight, imagine you're at some open mic comedy place.  Someone extremely hot who you've had your eye on for a while says they'll be your plaything if you can prove you have a sense of humour.  They push you up on to the stage.  Go!


» Screenwriting.
If you're interested at all in screenwriting there's one site that you can't afford to miss.  It tells you everything you really shouldn't know about writing for the screen.

How to Write Screenplays.  Badly.

I highly recommend that you go as far back in the archives as you can and read everything written there from that day to this.  The guys that write it all are taking a break now, which means there won't be a whole lot of new posts for you to read while you catch up, so take your time.  Luckily for you the entire archive is actually available on that first page so you need do no extra clicking.  Unluckily, it's in chronological order newest to oldest, so you'll have to scroll to the bottom, then up a bit then read down, then scroll up another bit and so on until you're done.  It'll be worth it all.


» I know the timing seems strange. Let me explain.
As strange as it may seem I haven't actually failed to do any of my listed items, yet I've not started today's (Wednesday's) list yet.  No, this isn't the first item on Wednesday's list either.  I know that doesn't seem to make sense but it is true.  This peculiar situation comes about through my even more peculiar sleeping habits.  I tend to track days through sleeps, which can be quite confusing in a world that tracks days through the rotation of the Earth.  I started my list very late one night, which actually turned out to be early one morning and assigned it, for the sake of getting more done, to the ending day rather than the starting one.  The timing of the whole endeavour was off from the very start.  Add to that the staying up for Cup Semi-Finals, Champion's League Quarter Finals, staying up to make sure I finished my list before I went to sleep, the massive oversleeping chronic staying up causes and you end up where I am now.  My days match my goals, but the calendar thinks otherwise.  So I have to stick this little blog entry in at this odd hour to finish Tuesday.  Then I'll get stuck right into the Wednesday stuff since I'm staying awake for the Barcelona vs Benfica & Juventus vs Arsenal matches.  With any luck I'll get that all finished, or mostly finished before the end of the game and then I'll get to go to sleep at night, like a normal person.  Yes, that does mean it's been a very long day for me today.  If that all goes to plan I'll be able to get up at five o'clock in the morning, which I've randomly chosen with the help of my random-choose-ometer as my new getting up time, open my curtains and bask in the warm, bright, glow of the yellow face as I race through Thursday's stuff and any stuff remaining from Wednesday.  Then I should have a normal, keep-able, schedule going.  I think that'll do me good.  I had always planned on the five o'clock get up time but I jotted it down as an implementation by May 1st, since I was kind of hoping to stumble onto waking at that time (which happens randomly with my cycle) and then doing the necessary steps to make that happen consistently.  Instead I've decided, for the sake of making my list work nicer without bits on either side of a sleep or missing days or any of that, to force it.  No time like the present I say (now) and since I'm already temporally behind and still awake and going to be awake for a while I may as well get to it now.  If I actually get a schedule working that has a day as what other people see as a normal day, it'll be the first time I've done that since high school.  Massive upheavals are afoot in my world, and luckily they all seem to be doing me good up until now.  I assure you, if a normal waking time doesn't end up agreeing with me, I won't force the issue just for the sake of making some numbers fit nicer.  This is all about getting the best out of me and making a push towards my goals in life, so if going to sleep at night and getting up in the morning actually impede my progress towards those goals, I'll be back to random in the blink of an eye, which is not a quantifiable measure of time due to the random nature of eye blinking. (So don't even try to quantify it.)

I'm sure we'll all agree that was a fascinating update on that particular aspect of my days.

Now it's time to dip into my big bag of things I noted I could maybe conjure a few things to say about if push came to shove, so I can fill this entry with words because I'm still not at the stage of being comfortable working on a project properly.  I actually do have a hope of being able to get back to that tomorrow, because I'm quite sure I'd struggle to fill 2000 words of blog tomorrow.  It'd be at that nice little writing stage of jotting down the words that come into my head so they can be edited into finished looking words at some other time.  But I think it's about time I got that kind of structure down for a lot of the ideas in my head.  I've kept them in my head for so long watching them grow and take shape I've never bothered to write down even an outline for them.  I've always felt like that would artificially constrain them.  I've never been a big fan of outlining, since I've always been a big fan of spontaneity when I can get away with it and an even bigger fan of sticking to the rules if there are rules there to be stuck to.  If I were to outline in a story that Bob collapses of a heart attack in a disco, when it came to writing it you could bet Bob would end up collapsing because of a heart attack in a disco even when I realised later that it'd have been cooler if I'd let bob have a stroke at a barn dance, because there'd be that nice moment of confusion where people thought he'd just fallen asleep on the hay.  This is a fault I still have to overcome, and it really is kind of imperative that I do.  Rob probably realises this is what's keeping his script from flying out from under my keyboard like a spider with a fear of squishing.  It's getting up the right feeling to dramatically change something when it's already got a concrete form.  I guess that's because I'm all about the creation, and changing things in a scene means destroying that scene and replacing it with another one.  No matter how many elements remain from that initial scene or treatment, I would be destroying it, and it would never be seen again.  If I have trouble doing that with my own work you can imagine how it feels trying to do it with someone else's.  Of course I eventually get there, because I always want the work to be the best it can be... when in an acceptable finished form and within the confines of not being crazy.  We all know everything can be "improved" if you stare at it long enough.  Logically being so ruthless should be easy, after all I can save the current version and work on a different file, returning to the original file if my demolition/rebuilding project doesn't work.  But I guess I've always had this fear of making the wrong choice (in all things) that means I habitually try my best to make no choices at all.  It makes no sense since the worst you can imagine is invariable not as bad as you think it is.  The worst we can imagine is rarely imagined at all, just left in our minds as a formless cloud of fear which we can't actually see that possibility through.  If you actually do imagine the worst that can happen all the way through to the very end, it's rarely as bad as your fear would have had you believe.  This is true of almost all fears, except maybe fear of ebola or poisonous spiders.  Intellectually I know this.  Intellectually I know that writing is so piddlingly unimportant compared to the choices I make when crossing the road, but it's more often than not, nothing to do with intellect.  You know, I've been avoiding looking at such choices since I got my brain back (whether that be real or psychosomatic) which means I've never even presented them to myself long enough to know what those choices are let alone make them.  I better get on that.

One of those things I've been meaning to make a definite decision on is the reference for the cover to Unspeakable Thing.  I've got a folder full of images specifically for the job.  I just have to choose the actual one I'll be using.  They're all so similar, and they all have certain qualities I like that would make me choose one over the others.  Of course I've waited so long to do it I've found something similar recently... the poster for the movie version of "Silent Hill."  It's the one with the little girl with no mouth.  There are differences in my vision though.  I  have the girl at a 3/4 view for a start.  Her head is dipped slightly, the expression of her eyes forlorn.  Her fingertips are tucked up under her chin like she's used to covering her face.  There are stitches covering her mouth so she couldn't cry out or call for help if she wanted to.  I have no idea about colours, fonts, design or anything like that yet.  I want to be able to try that all out once I have the pencils, and hopefully I'll do a much better job than I did with the cover to Old Words.  The fonts on the cover to that thing, and the pixelation of the image are just horrible to look at now.  I'll maybe think about doing that at some point, but I've somehow managed to already send out six copies over eMule.  I don't want to orphan them, besides, I have no idea how to get a better picture quality out of my print to pdf software yet anyway.  As for Unspeakable Thing and its position on the track to completion?  I've only mapped out three complete stories so far.  I have a couple more to go before I'm satisfied.  I do have images and visuals for some other stories, but I haven't yet woven those images into a fabric.  Part of me says to maybe wait and see just how large the stories I've got in mind already grow to.  I know they're going to be a lot longer than I initially envisioned.  The first one needs quite a bit of exposition, just to explain what exactly is going on and what kind of world it is you're dealing with.  The trouble with that is there are very few ways to believably stick that kind of thing into a story without it hitting you over the head like a cartoon piano.  For a complete explanation of what's going on to just pop out of people's mouths when they're just chatting to each other on an ordinary day, coincidentally while you're watching them, well, that's just freakishly unlikely and as soon as you start reading that, the only thought you get is how freakishly unlikely the whole situation is.  Or at least that's what I think when I read that kind of thing.  There must be a way to do it nicely, without it coming over as simple exposition, but I think that way involves several prequel chapters to where I think the story really starts.  As much as I'd like to make the book large enough to seem like a substantial and worthwhile endeavour, adding in several chapters to the start wouldn't have the overall effect I'd be looking for.  Sure, if done right they'd lead you into the stories in a nice organic way, but that way lies novel.  Maybe that'd be a thought for the future.  Lots of authors have gone back to turn one of their short stories into a novel, some people on more than one occasion.  But for this collection I'm looking for stories with no excess baggage.  I want them to be little tales, told over a short space of time in the story world.  Nice little impact reads.  I think that'd be neat, though I'm not sure of the impact so much as just a punchy straight through kind of motion I can't be bothered finding the right word for.  I hope you get the idea I tried to convey there, but the fact that I can't be bothered to think of a word when I'm trying to write about it means I must be done here for now.


» So what is it I do all day?
And what is it with the massive time discrepancy between when these things have shown up the last few days, is that just to confuse and annoy Rob?

No, that's a consequence of not having my sleep schedule arranged yet. In fact, I'm starting to wonder if such a schedule, just so a little sun comes in my window each day, is really worthwhile for someone like me that watches so many things on TV from different time zones. Still, I'm trying it for now even though finding a normal time to wake up is not on my list of ten things I must get done every day.

That sounds like an interesting list, please explain it.

Well it all started when I...

Whoa!  This sounds like some kind of story.  You have a quota to fill or something?  Easy answers fella.

But actually I do have a quota to fill.  It all started when...

Easy answers!

Okay.  Sheesh.  So I decided that best way to make sure I did things each day was to make a list of them and tick them off when they're done.  That way I won't forget to do them, or get them wildly out of alignment and control.  The list consists of ten things that I feel I should do every single day without fail.  Obviously some days I'm not going to get everything done (unforeseen circumstances) and some days I'm going to do more than required so I had to work out rules for these occasions too.

Wait, go back, wildly out of alignment and control?

Yes.  There's always some kind of tolerance zone for this kind of thing.  It's a construct of the mind so as not to punish oneself unduly for a small mistake, jeopardising the larger goals.  When this is exceed...

In English!

Okay, one of the things on my list is simply read a comic.  I have a huge backlog of comics I'm not getting through recently.  They're stacked beside my bed.  I only have so much storage space and I like to keep them out where I can see them and remember I've still to read them before they join the rest in the boxes.  That gets messy.  So I need to read them and put them away.  So on my list there's a "Read one comic" thing to do.  When I realised I had to get around to this as I hadn't for a couple of days I said to myself, "You've got three comics to read to catch up, remember."  Then I thought, "wait, is that right?"  I turned to my planner, open on the bed, flipped back a page and ran my finger along an entry.  "Oh no, I've only got two to read.  I read one on the 27th of March."

That sounds.. what's another more politically correct term for retarded?

Well, you get the point it seems.  That kind of thing is just nuts.  That's why there's a plan and that's why it's daily.  You forget one, or put something off, or when it's just in your head it all seems malleable and then you get days when you overload on one thing to catch up and that throws everything else off and then you're struggling with a day of this followed by a day of that and you never get round to a day of something else.  Days of intensive work on one thing are also not the best way to do some of these things.  Like, the language stuff says it's best to only do one unit a day.  I guess they do the whole repetition at certain times helps retention thing.  So doing one solid day of that stuff is going to leave gaps in my knowledge.  These kinds of problems all lead up to the conclusion that it's pointless having a list at all if it's not stuck to.  It's like exercise.  A little at regular intervals is better for you than a lot all in one go.

I think I get it, so how do you make sure that doesn't happen?  And what are these rules for keeping it in line?  And get to the list already.

I make sure that doesn't happen in a very simple manner.  In the planner I write down the numbers one to ten.  These all correspond specifically to one thing.  I tick them off as I do them.  They correspond to one thing since if they didn't and I just upped a count as I did something I'd end up getting something wrong some time if I fell behind which I do still plan for since things can happen outside of my control.  Here's the way I keep it in line.  I do not write the list of numbers for the next day until all of the numbers for today are ticked off.

But what if you're awa...

I'm getting to that.  So if I fall behind for some reason I have to make up the lost item before anything else.  Now before you interrupt again.  What happens if I get ahead of myself?  Maybe I end up somewhere I only have my mp3 player with me and the only things left to do today are read a book, or blog.  Then I can go ahead and listen to another lecture if I want, but it won't count towards tomorrow.  They're daily things.  There is no getting ahead.  If I read six comics today, well, good on me.  My list is a minimum of things to do anyway.  The next day I'd have to read two comics, blog twice and still listen to a lecture.  The list is in no particular order.  Within the day it is flexible.  Sometimes you feel like doing one thing but not another, then it makes no sense to do the other.  If your mind is wandering there's no point in trying to listen to a language tape because you'll have to keep rewinding to hear sections your mind drifted off during.  This is why there is no timetable, just a list.  A language unit takes about 30 minutes at the best of times, but if you're distracted in the middle you can easily double that time, so there'd be no point in saying 1pm - French, 1:30 - Mandarin.  Because it's too easy for French to shift into Mandarin time, throwing off not only that unit but everything else scheduled for the entire day.  That kind of thing just makes you feel bad, like you're doing it all wrong, like you'll never get it right, and you give up quicker.  As long as I get it done, who cares when.  So coming next is the list, in the order of the numbers.  There is no great logic to the numbering, it's just the way they were written down and therefore the pattern I got to know them in.

1. Blog

Write a blog entry.  It doesn't have to be long but it needs a topic, or to say something, no matter how mundane.  It can't just be, "I'm still alive, and look, I blogged today."  The human mind is always thinking of stuff.  Blogging every day will mean I have to catch anything interesting I think during the day and make a note of it for a blog topic, or else I can't get everything done.  I know this means anything interesting I say will be startlingly tough to find amongst the dross, but I'm okay with that and I'll probably make a web-page linking to any good entries I've made at some point, once I've gone through this thing tagging the entries and finding out if there are any good entries.

What's the point of it anyway, the blogging?

Well, having to come up with entries will mean I pay more attention to the fanciful ideas I have during the day.  Having to make a note of them lest I forget them will get me into the habit of jotting down ideas so I don't forget them.  I know that seems simple but just now when I get an idea for anything, whether it be a blog entry or for something I'm writing, I play with it in my head and think about doing it later.  When later comes it's gone, or takes a long time to come back to me.  It's obviously a lot better and more time saving if I can get access to that right away.  No, I don't think not having to remember stuff will rot my brain.  Like I said before, it'll also make me more conscious of any ideas I'm having that need saving while I'm having them.  Hopefully I'll eventually start to see I've had more ideas than I normally remember.  I think there must be a bundle that sail off into the sunset of my mind when I'm not paying attention.  One entry a day is a minimum, so I could very well do more if I feel like it.

2. Read the web.

Read the web?

Yes.  Stay in touch.  I know it sounds like something I shouldn't have to plan, but it kind of is.  There are a whole host of sites I get information from about various things, including the news.  Most of them are in my RSS feeds.  It gets pretty full from time to time.  I've had entries of things I've kept for months because they looked long and intimidating to read, yet they seemed interesting and I wanted to read them.  So why not force myself through that and just get to it?  Exactly.  So by read the web I mean that by some point during the day, and not necessarily the end, I'll have read all the sites I check that are not in my RSS feeds and my RSS feed will not have any unread entries sitting in it.  Before you go asking, no, I don't read every article of every site in my feed.  I only read the interesting looking ones.  Deleting the others is fine.  If there's something sitting there that seems interesting that I'm not getting to reading, well it can't be that interesting can it.  So sometimes the choice will actually be whether to read it or just delete it.  Sure that makes reading the web sound easy, and that's good.  You need some easy things to do.  But at least I'll be making that decision every day and not having a huge pile of multi-page articles to read some weekend.  I'm more likely to delete them unread if they pile up too.  But on saying that it's more to get me to read the interesting ones than to delete them.  I think I've made too much of this whole deletion thing.  I hardly ever do that.  I was just saying if I'm not going to read them, I better tell myself now rather than leave them there taunting me for months.  Anyway, how can you write about the world if you don't know what's going on in it?  Every day, read the web.

3. Listen to one lecture.

Each lecture lasts about a half hour.  There are many subjects.  They're audio, and very easy to pay attention to and learn from.  It's also a fantastic way to avoid dealing with reams and reams of text for a while.  They're an easy and fun way to learn.  It's great when you can hear a lecturer really get into his material.  Right now I'm learning about China, past and present.  I can't tell you how fascinating this stuff is.  Left to my own devices I'd be listening to this kind of thing non-stop, and get nothing else done.  That's a real danger, which is why there's a list.  It's easy to get caught up in something and have everything else fall to the wayside.  Which is why when the new day comes I have to finish everything else from yesterday before I can switch on another one.  Naturally I can listen to how many a day I want and one is a minimum.  I make sure I don't drift off at any point during the lectures.  You might think if they're so interesting how can I?  Well, when you're hearing about the warring states and listening to stories of cunning and guile in military matters, it's easy to drift into wild fantasy thinking about how you'd bring that to the screen, or yourself pulling off a great manoeuvre of deceit and cunning.  By the time you've finished slaughtering your last enemy, have saved the country and been enthroned Emperor for life by your new people, you've maybe missed something.  But then, unlike watching a documentary on TV without taping it first, you can rewind and listen to the bits you missed.  I don't want to miss anything.  I don't want to forget any of this.  I'll probably listen to all these lectures again after I'm done (not right away) but a refresher course will be nice to solidify it all.  I'd hate to be telling someone about this stuff and have forgotten an important name or detail.  That's like telling a joke and forgetting the punchline.

4. One unit of language one.

5. One unit of language two.

Seems pretty straight forward.  I have a lot of language tapes (CDs actually) and I'm learning two just now.  They are French and Mandarin.  These two sets come in three blocks or stages  I'm on stage two with French and stage one with Mandarin, which is nice.  They say to do one unit a day, which is about half an hour long, so that's what I'm doing.  One a day, no more, no less.  Of course I do that on different languages.  I believe the one unit a day is so you don't go too fast on one language and not give your brain time to really assimilate the information before you're passed it and on to another thread of the language.  These two languages obviously overlap in no way, so they don't interfere with learning each other.  Also I believe being on two different blocks of each will be helpful in this.  One intermediate and one beginner.  I may, when I get to the end of block one of Mandarin add a third language starting from block one, but I'll see how I'm handling the schedule before I really decide that concretely.  It's working well so far, but then I'm only just starting really.  I'll give all these a refresher some time after doing them too, but I've so much to learn that's a long way away.  30 minutes a day isn't much time to give up when it means you'll be able to converse at least minimally in a foreign language in a month, better within two, and quite possibly competently within three.  Of course I'm not far enough along to know exactly how much I'll know by the ends of blocks two and three yet.

6.  Read one comic.

I'm a writer and I have a huge backlog of comics to read.  I fully intend to write some one day.  That means I have to know how it's done.  I have to keep abreast of what's happening in comics.  I have to see how stories are constructed and realised in this medium.  I have to keep abreast of trends, and new ideas too.  You can't work in an industry you know nothing about.  Comic books are a medium, not a genre.  Most people see super-hero books and think that's all there is.  That's not true.  Not even close.  There are so many possibilities.  You can do literally anything.  Just like you can do with novels, TV and movies.  Yes, they're also fun to read.  So, to make sure my backlog doesn't grow and that I stay up to date I have to read one a day.  Naturally when the backlog clears and I'm all caught up I'll change this to simply reading all the comics I get in a week within the week.  If I added more books I'd probably just read them with the others anyway and be stuck with impossible goals.  But my backlog is huge, so that's a loooong way away.

7.  Read one chapter of a book.

I'm a writer and I have a huge backlog... ...When I'm reading a book with no chapters I guesstimate that a chapter is about 20 pages, and that's my daily target.  Of course some books have smaller chapters than others so I'll adapt the number upwards for such books.  I'll also implement the seemingly arbitrary condition that this must all accumulate to one book per month.  It's seemingly arbitrary because all books are different sizes but as a prospective author I should be reading way more than I am, and one book a month is actually kind of paltry, as is one chapter a day.  Naturally I hope I completely massacre this minute amount of reading, but it's there to make sure I absolutely read some professionally written prose every single day.  If I'm not reading my writing will stagnate.  I know this from experience as well as common sense.  If you don't read you get caught up in your own voice and way of doing things too much and like we see from evolution once you've been isolated for too long you can end up becoming a new species and nothing else can understand you.  If you don't read, you can't write.

8.  Watch one TV show.

I'm a writer and I have a huge backlog... ...I think you get the idea of this from the other two.  This refers to the TV shows I've recorded and haven't gotten around to watching yet that are clogging up my + box.  They're the shows I'm following, or the documentaries I taped because they're interesting.  Unlike reading web news, deleting the ones I realise I may not be interested in after all doesn't count.  This is because of the sheer quantity of TV I get through.  I need to clear the backlog and get ahead of the curve of new stuff coming in.  This does not include watching TV randomly or watching sport or anything like that.  It's the stuff I have stored up to watch that I need to keep moving to clear the way for the next lot.  You can't write TV if you don't watch TV.

9.  Exercise

I know it sounds a little ambiguous but it's a tough concept to define in this context.  It could be different every day.  Maybe one day it's a run, another it's sit-ups and push-ups, who knows?  That's not the point.  I'm not about to make up a rigid regime of exercises to do every day when I don't know how long they'll take or what I'm likely to be able to do in the long term.  I can't say jog every day if there's ice on every pavement.  I can't say lift weights every day if I've hurt my arms.  So yes it's left a little vague, but that's okay, so long as I satisfy myself that I've done some kind of exercise every day that's good enough.  I won't let myself off easy, but I won't push myself destructively hard that way either.  The fact that I've been doing random to no exercising up to now means anything I do at all in this vein, consistently, is going to do me a world of good.  Like everything else, once I've gotten used to the whole system I can review it.  New routines and the like always seem to take up all of your time and be too much when you start them, but after a while you get used to it.  I'm accounting for that.

10.  Write 2,000 words per day.

Yes, this is low, and yes it does include all media, including this blog, which has its own little number at the top there, but that's for now.  But then I did pull a figure out of the air to start with.  This will probably be the first thing that's reviewed.  The fact is, we all know I've been lazy.  I haven't gotten to grips with any of my prose projects for a long time.  That coupled with my lack of reading means I'm really not the best writer I can be at this moment.  If you don't believe that look at all of these latest blog entries.  There's shocking grammar, unstructured thoughts, repetition of ideas, poor narrative flow... it's just horrible.  The fact that I say the same things a couple of times in different ways shows I put no time into structuring those entries as essays.  It's just ridiculously unprofessional to be honest.  But I need an arena to practice in and this is it.  Just now my 2,000 words a day are easily swallowed up by this blog, but I can go over, and I'd rather have that than do hideous damage to a project I'm working on and have to fix it all again later.  It shouldn't be long before I'm writing competently again.  Once that happens I'll either increase that number or remove the contents of my blog entries from it.  Of course not all my blog entries are going to be this huge.  I also have to keep in mind that the number should be a baseline.  It has to be a number I can reach every single day.  Although I'd like to do way more I know that some days are going to be harder than others and a large quota is going to do more damage to my work than good.  So I guess that number stays until I really get the feel for everything and I know what can be done and what can't.

So that's your ten things?

Yes it is.  I know it's not the greatest list and there are things you could add and take away from it if you felt like it but I think it's a good start.  I mean I could add brush my teeth, eat some fruit, get up at 5am, make my bed, and all the other things I plan on doing but those are kind of a given anyway.  I could call them necessities and add a number eleven I suppose but it's neater just now with ten things.  I could add them to exercise under health but then I'd forget one or something or just do the rest and it'd be a majority means I can tick it anyway kind of deal.  No, I'll stick with ten for now.

Right, well, I guess you can go now.  If I have more questions I'll stick them in the comments section.

Of course, I'd like that.  And that goes for everyone else reading this too.  And no, I'm not crazy or super-organised freak man or anything like that.  What I am is lazy, and I need some kind of push to get things done.  There are a lot of days in the year and I waste most of them, but just doing those things I've to do one of a day... that's 365 of them in the typical year, and that's a lot.  Even if I can only keep this up for a month, that's a whole block of language learning or a whole university course of lectures.  So I'm going to do my best to keep at it and think positively about it all, and when I stop writing these you guys can hound me and get me back on track.  So, that's 4186 words today.  Well over the minimum.  That's good.

See you all tomorrow.


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